This March marked the final week for the (still undisclosed) postvis film I had the privilege of supervising at MPC here in LA. Our crew was a fantastic mix of skillsets, personalities, and experience levels, and they formed a synergy I had not seen before on any team. I learned a tremendous amount from each individual and will be forever grateful for the chance to have seen their passion, work ethics, collaboration, and selfless encouragement of each other up close.
The client was extremely pleased with their work, and we delivered shots at a rate that outpaced the speed for incoming notes. For this and many other reasons, I would recommend any of these team members* to anyone who has the chance to consider hiring them in the future. I look forward to our opening weekend when it finally arrives, once we are able to safely return to movie theaters.
A smaller team and I are still wrapping up the loose ends, but I expect to become available for animation and visualization work starting on Monday, April 13.
The client was extremely pleased with their work, and we delivered shots at a rate that outpaced the speed for incoming notes. For this and many other reasons, I would recommend any of these team members* to anyone who has the chance to consider hiring them in the future. I look forward to our opening weekend when it finally arrives, once we are able to safely return to movie theaters.
A smaller team and I are still wrapping up the loose ends, but I expect to become available for animation and visualization work starting on Monday, April 13.
The final postvis crew members at MPC. Back (left to right): Isaac Hingley, Jeremy Freeberg, Jing Marshall, Salome Iravani, Hannah Addington. Front (left to right): Alan Morales, David Hickey, myself, Nat Seymour, Simon Halpern. Not pictured: Mark Austin, Gil Hacco, David McMahon, David Sudd, Caitlin Kennedy, Connor Tracy, Matt Valverde, John Hold, Maximilian Reid.
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