<Projects
Godzilla: King of the Monsters (2019)
Director: Michael Dougherty
Company: Day for Nite, inc.
Role: Techvisualization Artist
Time on project: May-June 2017
Previs Supervisor: Rpin Suwwanath
During Godzilla: King of the Monsters I worked onsite at Legendary's corporate headquarters in Burbank, alongside artist Ryan Schubert. It was only the two of us, wrapping up the previs for the film for Day for Nite, and constructing techvis diagrams and videos that the production could easily use to determine what size bluescreen sets and which gimbal rig would be required for a sequence they would soon film. We had a month to 'techvis' the sequence and we finished in three weeks. It was for the sequence with jet fighters flying alongside Rodan (see the video below).
Sequences on which I worked:
Techvis for the Rodan vs. Jets and King Ghidorah sequence
Godzilla: King of the Monsters (2019)
Director: Michael Dougherty
Company: Day for Nite, inc.
Role: Techvisualization Artist
Time on project: May-June 2017
Previs Supervisor: Rpin Suwwanath
During Godzilla: King of the Monsters I worked onsite at Legendary's corporate headquarters in Burbank, alongside artist Ryan Schubert. It was only the two of us, wrapping up the previs for the film for Day for Nite, and constructing techvis diagrams and videos that the production could easily use to determine what size bluescreen sets and which gimbal rig would be required for a sequence they would soon film. We had a month to 'techvis' the sequence and we finished in three weeks. It was for the sequence with jet fighters flying alongside Rodan (see the video below).
Sequences on which I worked:
Techvis for the Rodan vs. Jets and King Ghidorah sequence
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Trailer
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Rodan vs. Jets sequence
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